I want to thank everyone that contributed to my success performing a wide-range of roles in the world of opera as well as the Broadway stage.

I will miss the comradery and special moments of performing so many roles with the New York City Opera, and the highlight of my career, performing with many extraordinary, gifted and generous artists in the Kennedy Center, Broadway and LA productions of Stephen Sondheim's Follies.

I look forward to my next musical endeavor of coaching young singers and passing on my knowledge in voice, movement for singers and stage awareness that I learned from so many wonderful teachers.

Other credits included the role of Eisenstein in Die Fledermaus with Wichita Grand Opera, Bacchus in Ariadne auf Naxos with Toledo Opera, Herodes in Salome with Opera Theatre of Saint Louis, Canio in Pagliacci with Knoxville Opera, Don José in Carmen with Opera Santa Barbara, Rodolfo in La Boheme with Fresno Grand Opera, Paul in Die tote Stadt with Washington Summer Opera, Turiddu in Cavalleria Rusticana and Canio in I Pagliacci with Boston’s Chorus Pro Musica, Calaf in Turandot with Opera North, Pinkerton in Madama Butterfly with Princeton Opera Festival, New York City Opera and Greensboro Opera, Cavaradossi in Tosca with Virginia Opera, Opera Santa Barbara and Florida Grand Opera, Calaf in Turandot with Calgary Opera, Edmonton Opera, Knoxville Opera, Virginia Opera, The Opera Company of North Carolina and Opera Grand Rapids, Faust with Cleveland Opera and Nashville Opera, the title role in Tales of Hoffman with Cleveland Opera and Portland (OR) Opera, Radames in Aida with Nashville Opera, Fort Worth Opera, Portland and Mississippi Operas, and the Tenor in a fully-staged version of Mahler’s Das Lied von der Erde with L’Opera de Rouen (also performed at the Theatre de la Ville in Paris).

Concert credits included Siegfried and Siegmund selections with Toledo Opera's Romance of the Ring, title role in Weill’s Der Protagonist with the American Symphony at Avery Fisher Hall, Radames in Aida (Concert) with Orchestre National de Lyon, Samson in Samson et Dalila with Chorus Pro Musica, Boston, tenor soloist in Verdi’s Requiem with Connecticut Grand Opera and The Symphony of the Mountains (TN), tenor soloist in Mahler’s Das Lied von der Erde with Peabody Symphony at Alice Tully Hall, NY, and the final scene from Wagner’s Siegfried with Nashville Sympholny.

Other credits: Prince -Student Prince, New York City Opera; Prunier - La Rondine, New York City Opera; Don José – Carmen, New York City Opera, Cleveland Opera, Portland Opera, Florida Grand Opera, Fort Worth Opera; Rodolfo – La Boheme, New York City, Opera, Fresno Grand, Portland Opera, Opera Grand Rapids; Erik - Der fliegende Holländer, Nashville Opera, Knoxville Opera, Fort Worth Opera; Werther, Portland Opera; Member of the Emerging Artists with Wagner Society of Washington.